Kulturlandschaftsbeobachtungsprotokoll
2025–ongoing
Experimente mit und Variationen von einem Kulturlandschaftsbeobachtungsprotokoll für einen Wissenschaftsspaziergang in den Spaziergangswissenschaften

transitzone
2024–2025
Wahrnehmungsanalytisches Gedankenexperiment im Val Bernina

https://anninaboogen.bandcamp.com/track/transitzone
Entstanden als «by-product» im Projekt «Zukunft Alpenstrom – Energiekulturlandschaften in klimapositiven alpinen Gemeinden»
«Rhein»
2023–2024
Klangstück für die Ausstellung:
«flooded but not forgotten»
16.12.2023 – 14.07.2024
Brügga Stall, Vals
Forum Vals

Glossar zum Thema Nachhaltigkeit für die ZHdK
2024
Erstellen eines Glossars für die Webplattform «Growing Sustainability in the Arts»
«Alpenstrom für eine klimapositive Schweiz
2023
Mitarbeit bei der Studie «Alpenstrom für eine klimapositive Schweiz», koordiniert durch das Urner Institut Kulturen der Alpen und finanziert durch AlpEnForCe.
On potentialities / reservoirs
2022
A project developed in the framework of the Swiss Artistic Research Network (SARN) Conference 2022 «Traversing Topologies».

In the 1940s, Swiss electricity producers planned a large-scale hydropower project in the Urseren valley. The dam would have flooded the valley up to the height of 1630 meter above sea level – the three villages Andermatt, Realp and Hospental would have submerged in the reservoir. On February 19, 1946, villagers escorted a responsible engineer involuntarily out of the valley over the Devil’s Bridge to Göschenen. This is known as the «Riot Night of Andermatt». Among other things, this brought the hydropower project to an end.
Electricity per se is invisible and thus cannot be experienced, but its production has material echoes in our landscapes. To gain engagement for an energy transition and renewable energy plants in alpine regions, perception of these structures must be rendered tangible and energy futures must be re-imagined beyond what is currently understood as possible. This calls for embodied, affective and aesthetic practices and methods.
«On potentialities / reservoirs» uses auditory speculative storytelling to create a realm of past and future possibilities alongside the present reality. One of the anthropological purposes for storytelling is «mental rehearsal», thus can practicing imagining past possibilities be of use for imagining future potentialities?
Release: https://anninaboogen.bandcamp.com/album/on-potentialities-reservoirs

Funded by the Swiss Artistic Research Network (SARN)
Energy Sound Journey
2021 – 2022
An imaginative narrative following the path of solar- and hydro-power produced electricity into our human lives.
Narrative and voice by: Devon Wemyss
Recordings by:
- Annina Boogen
- NASA (www.nasa.gov/connect/sounds)
- Marcus Maeder, ‘trees: Pinus sylvestris‘, Journal for Artistic Research, 11 (2016)
Produced by: Annina Boogen
Events:
– Informal session at eceee conference, 10. June 2021
– Live performance at GAIA Jahrestreffen 2022 (1. April 2022) hosted by Eidg. Forschungsanstalt für Wald Schnee und Landschaft (WSL)